Andrea Eckersley, More or less, 2025, pigment ink-jet print, 580 x 700 mm.
       
     
Andrea Eckersley, P/an of/part of, 2025, pigment ink-jet print, 580 x 700 mm.
       
     
Andrea Eckersley, Two for two, 2025, pigment ink-jet print,  500 X 684mm.
       
     
 Never Keep Both Feet on the Ground  28 Mar - 10 May 2025   Sarah Scout Presents, Collingwood  Andrea Eckersley | Aylsa McHugh | Veronica Kent | Elena Misso |  Ezz Monem | Ma rdi Nowak | J ake Preva l | Sally Smart | David Hug h Thomas   Never Keep B
       
     
Instal Eckersley.jpg
       
     
Andrea Eckersley, More or less, 2025, pigment ink-jet print, 580 x 700 mm.
       
     
Andrea Eckersley, More or less, 2025, pigment ink-jet print, 580 x 700 mm.

In group show Never Keep Both Feet on the Ground at Sarah Scout Presents

Andrea Eckersley, P/an of/part of, 2025, pigment ink-jet print, 580 x 700 mm.
       
     
Andrea Eckersley, P/an of/part of, 2025, pigment ink-jet print, 580 x 700 mm.
Andrea Eckersley, Two for two, 2025, pigment ink-jet print,  500 X 684mm.
       
     
Andrea Eckersley, Two for two, 2025, pigment ink-jet print, 500 X 684mm.
 Never Keep Both Feet on the Ground  28 Mar - 10 May 2025   Sarah Scout Presents, Collingwood  Andrea Eckersley | Aylsa McHugh | Veronica Kent | Elena Misso |  Ezz Monem | Ma rdi Nowak | J ake Preva l | Sally Smart | David Hug h Thomas   Never Keep B
       
     

Never Keep Both Feet on the Ground

28 Mar - 10 May 2025

Sarah Scout Presents, Collingwood

Andrea Eckersley | Aylsa McHugh | Veronica Kent | Elena Misso | Ezz Monem | Mardi Nowak | Jake Preval | Sally Smart | David Hugh Thomas

Never Keep Both Feet on the Ground brings together nine Melbourne-based artists whose works engage with expanded collage and assemblage. The exhibition is titled after a work by the German Dada artist Hannah Höch; best known as a pioneer of photomontage and one of the first artists to engage with and understand the potency of images in the printed mass media. Höch’s role working for the German publishing house Ullstein Verlag provided her with unfettered access to magazines and newspapers, which she cut up and reassembled, drawing on her understanding of cinematic techniques, to both comment on and critique contemporary events and the social construction of gender roles.

While a number of the artists featured in Never Keep Both Feet on the Ground engage explicitly with the assemblage techniques favoured by Höch – including her interest in reassembling bodies to unsettling affect – others use strategies of erasure, folding, and layering in their construction of works that celebrate how an image loosened from its original moorings and set adrift can reveal new truths.

Instal Eckersley.jpg